Laila Majnu Movie Review Hit or Flop

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Laila Majnu Movie
Laila Majnu Movie

 Laila Majnu Movie Review Hit or Flop

Cast of Laila Majnu Movie

  • Tripti Dimri as Laila
  • Avinash Tiwari as Qais
  • Farhana Bhat as Jasmeet
  • Duaa Bhat as Shama
  • Benjamin Gilani as Sarwar
  • Parmeet Sethi as Masood
  • Sumit Kaul as Ibban
  • Sahiba Bali as Ambreen
  • Abrar Qazi as Zaid
  • Shagufta Ali as Laila’s Aunt
  • Mir Sarwar as Qais’s Brother-in-law
  • Vasundhara Kaul as Laila’s Sister
  • Sujata Sehgal as Laila’s Mother
  • RJ Rafiq as Tauseef
  • Moomin Rafiq as Umer
  • Shahid Gulfam as Rasool

ladakee ne chetaavanee dee, “shreenagar kee sadakon ke chaaron or ladake ladake ko dekhakar ladakee ne mujhe bahut chaalaak nahin kiya.” isake lie, ladake ke paas ek asaamaany aapatti hai: “lekin mujhe smaart hone par kadee mehanat karanee hai. shaakal achee nahin hai na. “(” kyonki main achchhee lag rahee nahin hoon, aap dekhate hain “) phir vah apane chaturata ko band kar deta hai,” ek stabal banae rakhane “ke lie tejee se dresing se, lekin pahale se hee ladakee aur darshakon ko pakada gaya hai gaard kyonki, theek hai, ladaka sabase paaramparik roop se daraavana agranee vyakti nahin ho sakata hai – lekin usake paas isase pahale ki ham ise ingit kar sakate hain, use ingit karane ke lie laality hai. niraashaajanak aakarshan ke baare mein baat karo.

laila majanoo ka yah thoda sa hissa hai. apane shaanadaar bhaee imtiyaaj alee dvaara lipi se saajid alee dvaara nirdeshit, yahaan ek romaantik naatak hai jisamen aashchary kee kshamata hai. yah koee chhota sa kaam nahin hai kyonki ham yaad rakhane ke lie lambe samay tak staar-kros premee ke baare mein puraanee phaarasee kinvadantee ke baare mein jaanate hain, aur ise kalaakaaron dvaara rshi kapoor, orahaan paamuk aur erik klaiptan ke roop mein hata diya gaya hai. yah yuva premiyon ke baare mein hai jo unake parivaaron aur duniya se alag ho jaate hain, jab tak ki ve apane dimaag aur unake jeevan ko kho dete hain.

is anukoolan mein, laila jaanata hai ki ladake use dekh rahe hain. yah bahut kuchh karata hai, lekin – ladake ke adhyayan kee chaturata ke samaan – yah kisee bhee avaastavik saundary ke kaaran khud ko sahaanubhooti ke kaaran adhik hai. ek kashmeeree raajaneta kee betee, vah ek bhaagyashaalee raat tak laad pyaar aur ajey hai, jab vah ek ladake ke saath aankhon ko taala lagaatee hai jisane apanee bahan ke sir par peshaab kiya hai. (jaise mainne kaha, yah ek apratyaashit philm hai.)

kahaanee ke lie sach hai, vah dushman hai. ya kam se kam apane pita ke dushman ka beta, jo yuva premiyon ko nukasaan pahunchaata hai. ve ise jaanate hain lekin varjit se romaanchit hain. asahaay roop se, ve ek-doosare ke lie taiyaar hote hain, poore din phon par baat karate hain ya usee shreenagar kaiphe ke chaaron or chandrama karate hain jaise ki shreenagar mein keval ek sabhy kaiphe hai.

klaiptan ne apane lela mein likha tha, “chalo antatah paagal ho jaane se pahale sthiti ka sabase achchha banaate hain, aur bhaee alee vaastav mein is mithak katha ka sarvashreshth pradarshan karate hain, jyaadaatar ise maamoolee rakhate hue. utpaadan ke lie kachcheeta hai aur lekhan aur abhinay ke lie ek seedha praamaanikata hai, jisase philm haath se kadhaee kee tulana mein kam polish mahasoos karatee hai. “muslim samaaj” kee nason mein hamane ek baar hindee sinema mein niyamit roop se dekha, main laila majanoo ko ek mastishk saamaajik kahoonga. yah ek premapoorn roop se taiyaar kee gaee philm hai jo apane iraade ke baare mein spasht hai ki dayaalu kisee bhee anaavashyak haasy raahat se door rahatee hai. yah na keval ek naatak balki ek badee traasadee hai, aur nirmaata ise sammaan dete hain.

lailee kee bhoomika nibhaate hue tripaathee deemaree ek paristhiti vaalee ladakee hai jo paristhitiyon se upayukt dhang se maarane aur uchit roop se maara jaata hai, aur usaka pradarshan nishpaksh roop se ativyaapee historiyoniks se mukt pradarshan hai. men pyaar pyaar aur usake kukhyaat kabootaron ke philm ke sandarbhon ko dhyaan mein rakhate hue, unake paas sooraj barajaatiya naayika kee sundar, agalee daravaaja hava hai.

avinaash tivaaree apane premee kyoos bat ko nibhaate hain, aur vah ek behad aatm-jaagarook abhineta hain. vah tu hai mera ravivaar mein ek hordar ke roop mein utkrsht tha, aur yahaan vah apanee mahaan aavaaj ko aakarshak prabhaav ke roop mein thos prabhaav ke roop mein upayog karata hai, phir giyar ko prabhaavashaalee dhang se badalata hai kyonki usake charitr sthiti kee asambhavata ko gale lagaate hain aur usake unmaad ke neeche reel karana shuroo kar dete hain mohabbat. philm mein ek varg hai jahaan vah apane maartee phelamain jabade ko ujaagar karata hai, aur yah aaraadhy hai ki vah is tarah ke baare mein kitana bhediya dikh raha hai.

paagal premee ek kahaaneekaar ke roop mein imtiyaaj alee kee aavartee theem mein se ek hai – nirdeshak ne laila-majanoo kahaanee ko apane svayan ke tamaasha ke anukram ke bheetar bhee bataaya – lekin yahaan, pratyaksh anukoolan likhana, romaans ko tarkasangat banaane kee aavashyakata se mukt hona, yah kaam karata hai behatar.

isalie, yah darshakon ke baare mein ek philm hai. doosaron ke mukaabale kuchh jyaada dhany kaise hain. yahaan atyadhik trutipoorn aur yahaan tak ​​ki vinaashakaaree paatr bhee hain, phir bhee ve kuchh vishesh, eershyaapoorn aur asalee ka hissa lete hain. hamamen se kaun sa sachcha romaantik nyaay karata hai? pyaar pyaar hai.

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